Robin de Loxley (Taron Egerton), a war-hardened crusader and his Moorish commander (Jamie Foxx) mount a bold revolt against the corrupt English crown in an exciting action adventure replete with gritty battlefield feats, mind-blowing battle choreographies and a timeless romance.

Initial release: November 21, 2018 (USA)
Director: Otto Bathurst
Music composed by: Joseph Trapanese
Producers: Appian Way Productions, Safehouse Pictures, Summit Entertainment, Thunder Road Pictures
Producers: Leonardo DiCaprio, Jennifer Davisson Killoran, Basil Iwanyk


Robin Hood

In the opening scenes of Taron Egerton’s new blockbuster, our hero is immobilized by sniper fire on a hot desert street in the Middle East. Egerton, who rose to fame as Eggsy, the criminal turned into a superspium in the Kingsman franchise, is playing a fast-thinking soldier who immediately identifies the enemy’s position and begins a dangerous climb through a nearby building. The masonry explodes around it. His fellow soldiers are cut into pieces. Apparently it is surpassed by the sniper’s automatic weapons that shoot furiously. Then, suddenly, it does. He takes his head off the deck, focuses briefly on the sniper and shoots him dead. With a bow and an arrow. This is the new world of Robin Hood. No stockings are allowed.

It is not a secret that Robin Hood has been adapted innumerable times in different media, particularly in the cinema. For more than a century, several filmmakers have given their own turn to the legendary banned on the big screen, and the next film, simply titled Robin Hood, arrives next month. For those of you who wonder what makes this Robin Hood, starring Taron Egerton, different from what came before, director Otto Bathurst says he did not seek inspiration in any of the previous versions. As the actor said:

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This movie has nothing to do with any of the other Robin Hoods that have been made. I did not see them, they did not influence me at all. The version we made is completely different to anything you’ve seen before. It is a story that has been told for hundreds and hundreds of years. So we have our version, we drag it into the 21st century. Hopefully it resonates with a modern audience.

  • The more times you adapt a character, the harder it becomes for the next version to look special. In the case of Robin Hood, he has been a popular fictional character since the 14th century, so there have been hundreds of years for creative minds to put his special stamp on him.
  • Knowing the amount of cinematographic material that already existed, Otto Bathurst chose to ignore all that of his film Robin Hood, preferring to work with the basics and go from there to offer something that today’s viewers would like.
  • Also speaking with THR, Taron Egerton said he felt that “there was a scope to tell the story in a very different way,” and that it made a lot of sense to give a “modern twist” to this Robin Hood movie.
  • It’s something “exciting, action-packed and fast-paced”. Both Egerton and Otto Bathurst also agreed that, regardless of the time period, Robin Hood and his anti-corruption crusade will be relevant, although Egerton also made sure to point out that this film is first and foremost a “popcorn action movie” .
  • Obvious when making a story about Robin Hood, there are certain elements that have to be there, such as his archery skills and his mission to rob the rich to give to the poor.
  • But beyond that, there is plenty of space to take creative freedoms and give audiences something different to chew on. For example, in this Robin Hood movie, Little John, played by Jamie Foxx, is the one that advises Robin, instead of being the second in command of the protagonist.
  • Eight years after the Robin Hood film directed by Russell Crowe, this new Robin Hood serves as a story of origin for Robin of Loxley, while he begins his campaign against the Sheriff of Nottingham, played by Ben Mendelsohn.
  • Along with the actors mentioned above, Robin Hood plays Eve Hewson as Maid Marian, Tim Minchin as Friar Tuck and Jamie Dornan as Will Scarlet.

Robin Hood will be released in theaters on November 21, and if you’re curious to know what’s going to come out before the end of the year, check out our Christmas movie guide.But Taron Egerton believes that telling the infamous English outlaw can be better than his favorites, not because he is naming names. Considering that comparisons with other popular adaptations are “unavoidable,” Taron told that although he “felt some pressure to play a role that people knew,” he also acknowledged that a character with as many stories of origin as Robin can be unique. every time. Egerton believes that his Robin Hood can be better than your favorites. Playing the loaded video: 0% 0: 00Progress: 0% PlayMute Current time 0:00 / Duration 0:29 Full screen And that, although there are some who are very dear and are brilliant, and have earned their place ‘there is also’ some of us are definitely better. ‘ And when he pushes himself to name names … “No!” The film, directed by Otto Bathurst, is a story of the infamous outlaws originally represented in English folklore. Different versions of the story give Robin different origins, although this film focuses on the legend that he was born into the nobility and after having fought in the Crusades he returned to Nottingham to find his lands taken by the Sheriff. The film scoffed outright when the first images and the trailer were released, and it became clear that the new version would have a strong modern focus, with the clothes clearly sewn by machine.


One character that stands out is the Sheriff of Nottingham by Mendelsohn. Currently the favorite villain of Hollywood, Mendelsohn shows in his last role that he knows how to play the bad guy. Equal charm and connivance with a complicated past, Mendelsohn brings a level of complexity to the figure of central authority of the film and the place of religion in society in general.

Robin Hood is a movie that wanted to be bigger than your budget. CGI is a double-edged sword that can improve a movie or make it sink: for Robin Hood, it was the last thing. While most would agree that Otto Bathurst’s world director of paints is the perfect combination of guts and beauty, the low-budget visual effects overshadow the triumphs of the film. High-risk scenes, such as the opening battle between the crusaders and the enemy troops, as well as the car chase through the streets of Nottingham that appear further on, deviate to the absurd and distract the overall rhythm of the plot.

That said, the film fulfills its promise to give a contemporary twist to a classic tale. Bathurst expressly pointed out that he did not look for inspiration in any of the previous versions of the beloved character, and his results are a Robin Hood different from any iteration that was presented before. The film attracts modern audiences with elegant costume designs and fast-paced action sequences. Its plot brings home a political message that has current implications: income inequality, reflected in the way the corrupt government imposes the working class beyond its means.

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It is a truth universally recognized by each film adaptation of a classic story: it becomes more difficult to develop a film that is equally original and entertaining to watch. The case was no different for Bathurst, who had to reassure a group of skeptics to give a movie a shot since its release date was announced last summer. But where other directors do not keep their promises, Bathurst flourishes: Robin Hood is a refreshing film about an otherwise outdated character that will surely please